A hospital isn't a place for lazy people. It's a place for smart people who take care of people who aren't smart enough to keep themselves healthy. So begins Children's Hospital, a parody series that follows the lives, loves and laughs of a hospital staff.

Children's Ward is a British children's television drama series produced by Granada Television and broadcast on the ITV network as part of its Children's ITV strand on weekday afternoons. The programme was set – as the title suggests – in Ward B1, the children's ward of the fictitious South Park Hospital, and told the stories of the young patients and the staff present there. Aimed at older children and teenagers, Children's Ward was a long-lived series for a children's drama, starting life in 1988 as a contribution to the Dramarama anthology strand, "Blackbird Singing In The Dead of Night", then first broadcast as a series 1989 and running from then until 2000.The series was conceived by Granada staff writers Paul Abbott and Kay Mellor, both of whom went on to enjoy successful careers as award-winning writers of adult television drama. At the time, they were both working on the soap opera Coronation Street, and had recently collaborated on a script for Dramarama.Abbott, who had been through a troubled childhood himself, had initially wanted to set the series in a children's care home rather than a hospital, but this was vetoed by Granada executives. During the course of its run, however, Children's Ward won many plaudits for covering difficult issues such as cancer, alcoholism, drug addiction and child abuse in a sensitive manner. The programme won many awards, including in 1996 a BAFTA Children's Award for Best Drama, won by an episode in which a serial killer lures children to him via the internet and is – highly unusually for children's television – not eventually caught.

Dreams and hopes we had when we were young. Are they just dreams frozen like still pictures? Hyeonsu has been a part-time lecturer for 10 years. He used to dream of becoming a photojournalist but now his only dream is to become a full-time professor. But he has no financial ability to look good to other professors. He’s been married for 10 years and his wife is his only family. Eunsu appears in front of him after 20 years. She’s the one who taught him to take photos and also his first love. He’s shaken by her but finds out that she’s also applying for the full-time professor position he’s longing to get…

Solitary men in a roomy but empty cinema, ever-present smartphones and pop-up sexual intimations coalesce in a raunchy yet incisive portrait of Manila’s evolving queer space.

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In the darkroom, 50 unexposed film strips were laid across a surface, upon which a frame of La sortie des ouvriers de l’usine Lumière was projected to create a new kind of film…

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In the darkroom, 50 unexposed film strips were laid across a surface, upon which a frame of La sortie des ouvriers de l’usine Lumière was projected to create a new kind of film…

Solitary men in a roomy but empty cinema, ever-present smartphones and pop-up sexual intimations coalesce in a raunchy yet incisive portrait of Manila’s evolving queer space.

Rosario is 11 years old, he lives in the suburbs with his grandmother, a sick woman who spends time watching TV. He is the leader of a small group who spends his days between games rooms, small crimes and dangerous challenges.